The Ninja 2 is the world’s most advanced HDMI smart production recorder, monitor and playback deck. Every part of its physical and operational design has been carefully crafted to deliver the ultimate experience in simple operation and mission critical reliability. The Ninja 2 combines multiple devices – external monitor, capture card, playback deck and cut edit suite – into a single affordable tool.
The Ninja 2 records direct from the sensor giving you the best quality from your great lens and camera, no matter when it was made. Old and new cameras alike can get the benefit of higher quality recording, enhancing new cameras and breathing new life into older ones.
So why record 10-bit from the sensor of a camera, if it's 8-bit? Well, if you want to edit, use CG or 3D effects, green screen or add titles and transitions, these will all be 12-bit or more. If you record 8-bit like most cameras, when the 12-bit or higher graphic is inserted into the timeline, the colours are 'crushed' down to 8-bit, making the result extremely poor quality. We bypass the 8-bit and record 10-bit colour registries to ensure your video plays nicely with all computer effects.
Editing codecs are made for editing video, not delivering video. MPEG is great for finishing and delivery – but not for post-production. We give you post-production quality recording on set.
The codec choices we offer – Apple ProRes and Avid DNxHD – gives you universal non-linear editing support. Both are routinely used for film and TV production, as well as ProAV, event and independent film making. We have you covered, on Mac and PC.
The V-LCD71MD-3G includes the base unit with a preinstalled MD-3GE module providing an additional 3G/HD/SD-SDI input with loop-through. The V-LCD71MD-O** version includes the base unit with a preinstalled MDO-3G module providing a 3G-SDI output converted from the HDMI input. Finally the V-LCD71MD base unit comes with no preinstalled module.
This 7" monitor offers a high brightness 700-nit, full resolution 1920 x 1080 LCD panel. Modules can be added at anytime in the field by you the user. Modular design allows you the user to determine what I/O combinations you want.0-nit, full resolution 1920 x 1080 LCD Backlit panel and standard features including a wide variety of formats and markers, 4 user-config Icon driven Menu System, Waveform Display with dual Audio Bars, Front Panel Headphone output, Variable Pixel-to-Pixel function plus Marshall's industry leading PEAKING Filter now in four colors for easier focus assist make these monitors a must have appliance for serious photographers and videographers producers and directors alike.
Durable front panel function buttons, RGB Check Field / Field Detect, RGB gain and bias control, polycarbonate screen protection. New features include multiple DSLR presets, six User Presets, Adjustable IRE Clip Guide, and Backlight control just to name a few.
From its humble beginning in the 1990s RØDE Microphones has gone from strength to strength on the global stage and has become the go-to microphone for a variety of industries. RØDE employs the latest technology and precision machinery to continue to keep its products at world-class standards and at a great price. Over the years RØDE has been recognized as industry leaders in design and business having received numerous Red Dot awards, Australian International Design awards and most recently being recognized as the Australian Manufacturing Exporter of the year for 2013.
The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.
In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.
Roland Corporation is a leading manufacturer and distributor of electronic musical instruments, including keyboards and synthesizers, guitar products, electronic percussion, digital recording equipment, amplifiers, and audio processing devices. With over 40 years of innovation that continues to shape the sound of modern music, Roland sets the standards in music technology for the world to follow.
Check out the equipment used by your favorite musicians—chances are, they’re using Roland gear to create their music.
There are two types of stereo microphones built into the Roland R-26, plus a pair of XLR/TRS combo inputs for external mics, and an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional and omnidirectional), as well as the external inputs. Capture live performances with simultaneous line and ambient signal paths, record important speeches, lectures, and presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, and incredibly flexible recorder.
Two XLR/TRS combo mic inputs are built into the R-26, plus an input for a stereo plug-in powered mic, which can be combined simultaneously with the internal mics. At a live concert, for example, it can capture a stereo mix from the FOH mixer via its XLR inputs, as well as the ambient audience noise via its built-in stereo mics.
In addition, the R-26 allows up to six channels of simultaneous recording (three stereo pairs). Capture the same sound source with three different types of microphones, both internal and external. This provides a new level of flexibility after the fact, as you can choose from the individual tracks or composite mixes.
- Two types of built-in stereo microphones (omnidirectional and directional) that can be used in various combinations
- Two XLR/TRS combo inputs with 48 V phantom power, plus an input for a stereo plug-in powered mic
- Supports up to six channels (three stereo channels) of simultaneous recording
- Large LCD touchscreen display for intuitive navigation
- Large input-level knobs for fine adjustment
- Built-in Hi-Speed USB interface for use as an audio interface or external storage
- Loop-Back function; combine this with the built-in or external mics for the optimum live video streaming setup (only with Audio Interface function)
- Bundled with SONAR LE software (PC)
Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on, ME2, omni-directional microphone transmits its signal via bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.
- Sturdy metal housing (transmitter and receiver)
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 12 compatible frequencies
- Adaptive-diversity reception for high reception quality
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Automatic frequency scan feature searches for available frequencies
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronization of transmitters via infrared interface
- User-friendly menu operation with more control options
- Illuminated graphic display (transmitter and receiver)
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Transmitter and receiver feature battery indication in 4 steps
- Programmable Mute function
- Contacts for recharging BA 2015 Accupack directly in the transmitter or receive
- Wide range of accessories adapts the system to any requirement
Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.
The H4n features onboard true X/Y stereo microphones to pick up clear, natural sound without phase shifting. The mics can be rotated to select a 90° or 120° recording pattern for terrific versatility. The digitally-controlled preamp, combined with the high-quality microphones, allows you to capture Linear PCM audio at rates up to 24-bit/96kHz. The recorder captures audio to SD or SDHC cards with capacities up to 32GB. A USB 2.0 port allows you to quickly transfer files to a Mac or PC, or use the H4n as a live audio interface.
For connecting your own microphones or instruments, the H4n features XLR/TRS combo input jacks with phantom capability. A 3.5mm line output is provided, and a reference speaker is built-in for quickly reviewing your recordings. The unit operates on a pair of standard AA batteries, and features a Stamina mode to provide up to 11 hours of continuous recording at 16-bit/44.1kHz. Other useful features of the H4n include variable playback speed, automatic and pre-record functions, a low-cut filter and limiter for improving the sound quality of recordings, time stamping, a metronome and tuner, and more. The backlit LCD screen and intuitive controls are easy to use, even for the recording novice. A collection of accessories are included so you can start recording right out of the box.