Cameras & Lenses

Canon C300

Canon C300Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.

The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.

Canon C100
Sony FS700

Sony FS700The NEX-FS700UK is equipped with a new 4K Exmor Super 35 CMOS sensor (Total 11.6 million pixels) capable of cranking at up to 960 frames per second. This high-speed readout chip is optimized for motion picture shooting, producing exceptional image fidelity with high sensitivity, low noise and minimal aliasing. The NEX-FS700UK includes Sony’s E-Mount SEL-18200 manual zoom lens with wide zoom range. It has full interoperability with this lens including: auto/ manual focus and iris aperture, Spot Focus and automatic Focus Transitions. FS series camera’s E-mount is designed to accept virtually all 35mm SLR, DSLR and cinematography lenses, with the use of simple, inexpensive third party adapters sold separately -without optical degradation-. FS series camera owners are able to continue to use their existing 35mm lenses and add more lenses without being limited to a particular lens brand or mount type.

The NEX-FS700UK started as a 4K sensor Super 35mm camcorder capable of a vast array of high frame rate (HFR) and recording options to the superb on-board AVC-HD recording capability. The NEX-FS700U now features an upgrade that enables full 2K RAW up to 240fps or 4K RAW up to 60fps recording to Sony’s AXS-R5 RAW recorder. Upgraded NEX-FS700UK camcorders now record Linear RAW with 12-bit precision to the HXR-IFR5 RAW interface plus AXS-R5 memory recorder (sold separately). This system enables continuous, FULL 2K resolution recordings up to 240fps. It is also capable of continuous FULL 4K RAW recoding at: 23.98, 25, 30, 50 & 60fps. This system can also record 120fps at 4K resolution in 4 second “bursts” that result in 20 second at 24fps. It is possible to simultaneously record to the AVCHD format (except HFR mode). Convergent Design’s Odyssey 7Q records 2K, uncompressed: Cinema DNG up to 240fps and 4K DPX up to 30fps when connected to the FS700U.

  • E-Mount Interchangeable Lens System, compatible with Canon EF and other lenses with simple inexpensive adapters.
  • Includes "SEL18200" 18-200mm Zoom Lens
  • Compatible with Sony's SEL-P18200 servo zoom lens
  • 4K "Exmor" Super35mm Sensor
  • Full HD Slow Motion up to 240 fps
  • RAW recording: 2K up to 240fps and 4K RAW up to 60fps. Note: RAW recording requires an upgrade and optional HXR-IFR5 & AXS-R5 RAW recording system.
  • 3G HD-SDI output
  • Four ND Filters: Clear; 2, 4, and 6 Stops
  • 60/50Hz switchable
  • Intuitive user interface
Sony FS100
Sony FS7
Zeiss CP.2

Compact Prime CP.2 Lenses

Zeiss CPOne of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, Carl Zeiss is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation.

  • Interchangeable Mount
  • Full frame coverage (CP.2 18mm only APS-H)
  • Robust cine style housing with the ability to utilize follow-focus
  • Standard focus and iris gear positions
  • Five different mounts available (PL, EF, F, E and MFT mount)
  • Consistent front diameter (except of 50 Macro)
  • Longer focus rotation and a manual focus and iris
  • Calibrated focus scales

Application

Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film productions.