EOS C70
Developed with an idea of combining the Cinema EOS series with the EOS R series, the new EOS C70 offers exceptional image quality and professional video features in a compact and mobile form factor, perfect for documentary, newsgathering, and corporate videos.
The EOS C70 is the first Cinema EOS camera with a built-in RF-lens mount, which was previously a feature that was only used for the EOS R series of mirrorless cameras. The RF-mount offers users access to Canon's superb line of RF-lenses, which are quick, reliable and provide brilliant image quality. There is also a full 2, 4, 6, 8, and 10-stop internal ND filter system in the relatively small flange depth of the RF-mount.
Canon's EOS C70 is also equipped with a Super 35mm Dual Gain Output (DGO) Sensor that is capable of over 16 stops of dynamic range. The DIG!C DV7 Image Processor expands functionality and flexibility by enabling features such as 4K 120p High Frame Rate recording and Dual Pixel Autofocus.
Canon Super35 Dual Gain Output (DGO) Sensor
Canon's next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.
DIG!C DV7 Image Processor
Canon's DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.
Canon Log 2 and 3; PQ and HLG Recording
The EOS C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you're seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in color correction.
For users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.
